Make your own free website on

The Fariña Files

Home | Time Line | Cast of characters | Newport Folk Festival 1965 | Photos and Sources | Annotated Discography | The Books - a guide | Favorite Links | Contact Me

Annotated Discography

Dick & Mimi's LPs | Vanguard : TwoFers | Vanguard collector's guide : singles | Vanguard LPs, 1960-1969 | Vanguard labels | Elektra : selected discography | Selected contemporary discography

Dick & Mimi's LPs : a guide

Celebrations for a grey day

VRS-9174, in monoVSD-79174, in stereoVRS-9174/VSD-79174: Issued April, 1965. Tape masters: XSV-98951/52.
Original label: Silver mono / Orange stereo
Earliest pressing noted: 2A - It may have been that the first stampers (1A) were defective or had other problems and thus were never used. A logical conclusion could be that a fairly large pressing was made using 2A, although sales may have been slow and it took three years for another pressing to be done. An alternative argument could be made for the possibility that pressing 1A was appallingly tiny, and orders received for the album so fast and furious that a second stamper was made (2A) and a huge reprinting done - this may be surmised because this second vinyl pressing lasted well into 1968, when the second label was used on the remaining copies.

Produced by Vanguard co-president and house-producer, Maynard Solomon, Celebrations was recorded in two days at Olmstead Studios in Manhattan. They recorded almost 16 songs for the album, rejecting only "Almond Joy", "Joy 'Round My Brain" and "Downtown", all of which would later be released on the posthumous Memories (1968). "Almond Joy", would also be issued as a B side to "Pack Up Your Sorrows", albeit a minute shorter, and a different mono mix than that on Memories. The front and back cover photos are by Kenneth van Sickle and were taken in Central Park, NYC, probably in early fall of '64, at the time the album was recorded. The cover was designed by Jules Halfant, illustrator, painter, former WPA artist, and also Vanguard's in-house graphics designer. Musicians used were Dick (dulcimer), Mimi (acoustic guitar and autoharp), Bruce Langhorne (electric guitar), Russ Savakus (bass), and Charles Small (piano).

According to the back of their next album, this one was "Chosen as one of the ten best folk records of the year by Robert Shelton in The New York Times, Nov. 28, 1965."

VRS-9174, original mono label in silver

1st Labels

The silver mono label is pressing 2A, as is the stereo orange. Both would have been the first label used on the original pressings. These labels were used for this LP from April, 1965 until Spring of 1968 for the first pressings (assuming there was a 1A pressing) and possibly second (if 2A is a true second and not just a replacement for earlier defective 1A stampers).

VSD-79174, original stereo label in orange

The cover to firsts should have a black band across the top for stereo, with Mimi & Richard's names in a light brownish gold. Mono's have the black band across the bottom, with a slightly lighter color to the lettering. There is a wide variety of greys in the photo. 1st printings may have been laminated. Vanguard did cover laminations without much consistency at the time, although almost all Baez albums of the time were laminated.

VRS-9174, 2nd pressing mono label in gold

2nd Labels

Mono and stereo reissues, both of which are pressing 2A (although the stereo's B side is a 2C). It should be noted here that the label should be gold. However, Vanguard had a whimsical sense of the color spectrum, enabling them to guiltlessly mutate the color from gold to a light off-brown and all points between.

VSD-79174, 2nd pressing stereo label in gold

Labels used from Spring of '68 until the late '70s. Gold labels may be found for pressings noted as 2A (an overlap from the orange & silver labels) and 2C. I've never seen a 2B. Nor a musk ox, but that doesn't say they don't exist.

VSD-79174, Record Club of America label

This is a Record Club of America version of their first LP, noted as being pressing 1FA, the only pressing I've ever seen for this version. The label design is the gold label, although Vanguard may have farmed out the printing, as this is not their usual typeface, and the paper used for the label is flat rather than the normal glossy stock used by Vanguard for their own copies.

VRS-9174, 2nd pressing mono label in gold

3rd Labels

The third and final label for this album, a two-toned marbled effect; the lancer has now moved to center and both sides and Vanguard stands alone at the top, with "Recordings For the Connoisseur" moved to the bottom. This label was used from the late 70s through the discontinuation of vinyl by Vanguard in the early 90s. Stampers 2B (used for side A) and 2E (used for side B) are the only two I've seen used for this label. By this time, the cover had lost definition and almost all suggestion of a grey day, printings tending towards dark black, with most shadings gone from the Fariñas.

VRS-35030, 'Reno, Nevada' promo, variant lettering (1965)

Singles released from VRS-9174

Vanguard released two singles from the LP between December, 1965 and February 1966.

VRS-35030 - Reno Nevada/One Way Ticket

A mono alternate of both songs was mastered from session tapes (Reno=S4KM-6035 / One Way=S4KM-6036), with Reno being 22 seconds longer and One Way being 32 seconds shorter. The copy shown here is a promo copy.

VRS-35032, 'Pack up your sorrows' (1965)

VRS-35032 - Pack Up Your Sorrows/Joy 'Round My Brain

Another mono remix/re-edit (from masters SK4M-1620 and SK4M-1621, respectively), with both versions being different from the LP versions (different vocals over instrumental backings edited from different takes). "Sorrows" is 17 seconds shorter than the album version, while "Joy" clocks in at 2:56 on the 45 and 3:45 when finally released on the 1968 Memories LP, making a minute and eleven second difference between the two. The copy shown here is a stock copy in the only design Vanguard ever did for their 45s, one that lasted over 20 years.

© 2002 by Greg Pennell

Last modified: 21 July 2002